Sunday, January 5, 2014

"Braveheart" Takes Freeeedom With the Facts



    "Braveheart" Takes FREEEEDOM With the Facts
     
     Picture a movie made by a British production company, starring an Australian actor who grew up in Ireland.  Now, imagine this movie is about the American Revolutionary War.  In this movie, General Washington orders General Patton to destroy the advancing Vietnamese troops by using his specially trained “Space Rangers” and their laser rifles. About halfway through the movie, a confused Abraham Lincoln is found out to be a traitor, but redeems himself at the end by leading his flak-jacketed troops across the Potomac to victory.

    "Come at me, Bro!"
      Insane hogwash, right?  There’s no way that anyone, irrespective of national origin could possibly confuse a tale like that with actual history.  Don’t be so sure.  You see, there are people out there who, for having watched the Mel Gibson Oscar-winning film “Braveheart,” believe that they are experts in the life of William Wallace and in Scottish history, in general.
     Now, full disclosure:  I’ve seen “Braveheart” about a dozen times and have enjoyed it each and every time.  Similarly, I have enjoyed “Star Wars” and “Ghostbusters.”  I do not feel an overwhelming need to attribute any historical significance to either of those movies, and I feel much the same way about the fictionalized tale of William Wallace.  It was fun and full of adventure.  It was brilliantly filmed and the acting was absolutely top-notch.  There was a relatable hero, a perfectly hateful villain and a giant man made out of marshmallows.  (The last one, of course, relates only to “Ghostbusters”).

     Let’s start with Wallace himself.  History records the man to be anywhere from 6 foot 5 inches to a staggering 7 feet tall.  Where common sense would dictate that a Scotsman from the thirteenth century would probably not be a viable point-guard for the Boston Celtics and that 7 feet is probably pushing the limits of credulity, the man was more probably than not very tall, indeed.  Mel Gibson, on the other hand, is not. 
Actual Size Comparison 
     Now, I am not implying that Mel Gibson’s character was a tiny weakling, or that he did not look absolutely smashing in his kilt; far from it.  That does bring up another area where Hollywood has taken a few liberties with European history, though.  Kilts did not exist in the time of William Wallace.
     As previously stated, William Wallace lived during the latter part of the 13th century.  Scotsmen started wearing Kilts over three centuries later.  The kilt, which literally translates from Scottish into, “to tuck ones clothes up around one’s body,” was a full length garment, with the upper half serving as a cape or a hood.  It was adopted from Norse settlers who wore similar garments that they called kjalta.  This fashion icon was not adopted until the 17th century, so there was no way that William Wallace or any of his clansmen would have been wearing them.  They wore pants…boring pants and probably sensible shoes, as well.  To their credit, however, had the producers been sticklers for historical accuracy, movie-goers the world over would still have no idea what Mel Gibson’s knees look like.  So ask yourself: is that a world you want to live in?

     Okay.  We probably would've eventually figured it out.
      On now to that traitorous Robert the Bruce, who, in accordance with the wishes of his leprosy-ridden father, betrays Wallace and all of Scotland.   Here, I will give you fair warning.  If you are ever at a gathering of Scotsmen and you go into a diatribe of how that nasty Robert the 17th Bruce was a no good so-and-so, be prepared to be unceremoniously and violently stomped into a fine paste and made into a haggis.
     You see, Robert the Bruce is one of Scotland’s greatest national heroes.  He assumed the throne in 1306 and led his band of “warrior poets” to victory against Edward I.  As a matter of fact, the term “Braveheart” actually refers to Robert the Bruce, whose troops, after his death, literally carried his heart into battle.

     He never betrayed his kinsmen and, though critical of William Wallace’s early campaigns, he became one of his most outspoken and influential supporters.
     On the other side of the field of battle, we find the evil King Edward I, or “Edward the Longshanks,” to his buddies.  Portrayed as something of a cross between Darth Vader and the Sheriff of Nottingham, ol’ Longshanks couldn’t wait to rid Scotland of the men wearing their futuristic kilts before granting Primae Noctis to his knights.  Primae Noctis is, of or course, the abominable practice of granting feudal lords the right to bed peasant women upon their wedding nights.  It is quite understandable that this sort of thing would infuriate the Scots, causing all sort of violence and prompting the men to paint themselves blue.

    From their new album, "Freeeeeedom!!!"
      The problem with this, of course, is that it never happened.  The idea of Primae Noctis is a work of fiction, and has been so since about the time of the 16th century.  There’s been a lot of talk of it through the centuries, but absolutely no evidence to substantiate its’ actual existence.  Oh, and no one in Wallace’s time ever painted themselves blue, either.  Unlike kilts, that was a fashion trend of several centuries earlier.
     Back to King Eddie Longshanks, though, the evil bastard.  Well…not so much.  Where he was known as the “Hammer of the Scots,” and he did fight to gain control of the land, he did so only after he was invited in by the Scots themselves.   That’s right, they invited him in to broker a peace and avoid civil war following the deaths of Scotland’s King Alexander III and of his granddaughter and only known heir, Margaret, Maid of Norway.  His terms for arbitrating such a peace included being named Lord Paramount of Scotland, a stipulation that the Scots agreed to.

    Read it?  Well, I skimmed it...I'm sure it's fine.
     Shortly after naming John Balliol the new king, King Edward thought better of it, considering King Balliol to be a poor choice and a weak king.  He attempted to remedy this mistake by attacking Scotland at its border towns and forcing Balliol to abdicate.  Though tyrannical attacks and all-out warfare were certainly over-reactionary on the part of Longshanks, it must be said that John Balliol was indeed a weak king and poor leader, and was known as “Toom Tabard,” or “Empty Coat” for the duration of his short rule.  Upon realizing this, it is not without merit that the Lord Paramount of Scotland might seek to remedy the situation.  A situation, remember, that he was originally asked to fix.
     Additionally, King Edward was responsible at home in England for the re-establishment of the “Magna Carta” and its joining with the decades-old “Forest Charter,” forming the “Confirmation of Charters” in 1297.  This not only granted rights to the aristocracy, (via the Magna Carta), and the peasantry, (via the Forest Charter), back in its own time, but is widely considered the basis of British law and still remains in statute to this day!   What a diabolical villain!

      "I shall kill them all.  Then, I shall donate the proceeds to fund Plague research!"
     Also, upon the death of his wife Eleanor in 1290 in the city of Harby, King Edward I had her body transported to London for burial.  At every one of the twelve spots that his wife’s body laid during the journey, Edward had a lavish stone cross erected in her memory.  Three of them still exist today.

     Surviving Queen Eleanor Cross
      Several more fictionalizations occur throughout the film.  For instance, Princess Isabelle of France was portrayed by Sophie Marceau as a beautiful young woman of a kind and virtuous nature.  In reality, the real princess was approximately 7 years old at the time of William Wallace.  Furthermore, upon becoming an adult, she was widely considered to be something of a bloodthirsty warrior who, after deposing her husband, King Edward II, launched another war into Scotland with her son, Edward III.
     In the film, King Edward I dies as Wallace is being executed.  King Edward did not die until several years after Wallace, at the ripe old age of 70.
     King Edward II did not marry Queen Isabelle of France until three years after Wallace’s death.
     The film begins in 1280, with the King of Scotland dead and Edward I invading.  King Alexander III did not die until 1286 and Edward’s attempt at conquest did not begin until roughly four years later.
     There may or may not, however, have been a giant marshmallow-man at the Battle of Stirling Bridge.  Let’s face it…with the amount of liberties taken by Hollywood in this and so many other films, it’s hard to be sure.

Scribbles by W. Patrick